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Our Love Will Go the Way of the Salmon Paperback – December 17, 2014
- Print length222 pages
- LanguageEnglish
- PublisherBroken River Books
- Publication dateDecember 17, 2014
- Dimensions5 x 0.51 x 7.99 inches
- ISBN-101940885132
- ISBN-13978-1940885131
Popular titles by this author
Editorial Reviews
Review
"These are not your dad's fishing stories unless maybe your dad is Japanese fabulist Haruki Murakami [...] Recommended For: Psychedelic fishermen, mollusk hunters, fans of Ron Carlson and Richard Brautigan, brawlers, trawlers and lovers." - COAST WEEKEND
"Whether he's describing a grandmother who gets pulled into a watery grave by an almost mythological fish or telling the creepy story of a creature that wouldn't be out of place in an H.P. Lovecraft story, Pierce constantly pulls together concepts from the outmost edges of outré fiction and the kind of unassumingly profound storytelling that made authors like Flannery O'Connor and George Singleton household names." - VOL. 1 BROOKLYN
"Our Love Will Go the Way of the Salmon uses the tropes of weird, bizarro and horror fiction to dig deep into the wrongs we do each other, no matter how deep our love might go [...] Pierce has written his most personal work to date." - THE MONITOR
From the Inside Flap
- KATE BERNHEIMER, author of How a Mother Weaned Her Girl from Fairy Tales
"Cameron Pierce leaps Bizarro from the school of worldly fish tales, recalling Grimms' talking catches, Ueda Akinari's piscine transformations, and the weird and wonderful angling stories of Richard Brautigan, Robert Jones, and Annie Proulx. But Pierce's work inhabits a stream of its own. Here are vivid, fantastic, unpredictable and beautifully told stories that swim the seam between achingly believable, heartbreaking human drama and violent bizarre hyper-action and fantasy. Imagine Quentin Tarantino remaking A River Runs Through It. Pierce understands what fascinates, enchants, terrifies and disgusts us about fish, and he brilliantly explores these deep creatures as psychological projections of our best and worst selves."
- HENRY HUGHES, Oregon Book Award-winning author and editor of The Art of Angling and Fishing Stories
"Beautiful and weird and bleakly funny as fuck, Our Love Will Go the Way of the Salmon picked up my love along the way and never dropped it off. I'm still riding inside the book's zesty flesh, gaping through its lidless eyes at a world transformed." - JOHN SKIPP, New York Times bestselling author of The Bridge (w/ Craig Spector)
"Part Terry Bisson, part Cormac McCarthy, part rocket launcher--Pierce's Our Love Will Go the Way of the Salmon brilliantly uses the fishing prism to examine loss, living without, and never having had."
- WESTON OCHSE, author of SEAL Team 666
"Our Love Will Go the Way of the Salmon seemed like stories Kafka and Edgar Allan Poe would write if they were fishing buddies: men turn into fish, women reveal themselves to be fish, men fall in love with other men while cooking fish in the jungles of Vietnam...and through it all Cameron Pierce guides you with taut prose and a kind of fucked up heart."
- ELIZABETH ELLEN, author of Fast Machine
"Our Love Will Go the Way of the Salmon is a book that only Cameron Pierce could write. He manages to masterfully blend the best parts of Bizarro & literary fiction to make something that is beautiful, creepy, tender, brutal, and completely and 100% unique."
- JULIET ESCORIA, author of Black Cloud
"I like my short story collections like I like my men: thoughtful, funny, and talking often of fish."
- AMELIA GRAY, author of Museum of the Weird and Threats
"I was submerged in every one of these stories. Sometimes terrified, sometimes sad, sometimes laughing hard. Some of the imaginings were insane. There were man-sized fish and talking fish and there were normal fish too. The fish brought messages of doom. But the world was familiar. A planet of disappointments and loss and whiskey and friends. That's what I like so much about Cameron's writing. That's what I loved about this book."
- BEN BROOKS, author of Grow Up
"Our Love Will Go the Way of the Salmon is Hemingway's In Our Time re-mixed by Kafka and David Lynch--an enormous heart in a puddle of river water. It's in the subtle distortions of reality in these stories we find the deeper truths reality can't offer or even afford us. And in the not so subtle stories, we're in for a thrill of a fucking ride."
- TROY JAMES WEAVER, author of Wichita Stories
Product details
- Publisher : Broken River Books (December 17, 2014)
- Language : English
- Paperback : 222 pages
- ISBN-10 : 1940885132
- ISBN-13 : 978-1940885131
- Item Weight : 8.7 ounces
- Dimensions : 5 x 0.51 x 7.99 inches
- Best Sellers Rank: #3,134,716 in Books (See Top 100 in Books)
- #4,501 in Fishing
- Customer Reviews:
About the author
Cameron Pierce is the author of eleven books, including the Wonderland Book Award-winning collection Lost in Cat Brain Land. His work has appeared in The Barcelona Review, Gray’s Sporting Journal, Hobart, The Big Click, and Vol. I Brooklyn, and has been reviewed and featured on Comedy Central and The Guardian. He was also the author of the column Fishing and Beer, where he interviewed acclaimed angler Bill Dance and John Lurie of Fishing with John. Pierce is the head editor of Lazy Fascist Press and has edited three anthologies, including The Best Bizarro Fiction of the Decade. He lives with his wife in Astoria, Oregon.
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I was probably 12 or 13. I was camping with my family. We used to camp a lot because a.) my parents liked camping and b.) it was a relatively inexpensive thing to do on a vacation. I had my own pole. My own little tackle box and everything. My dad showed me how to spool and how to cast. We'd go out in the mornings when there was still dew on the ground. While I enjoyed spending time with my dad, I was never very good at fishing. Not just the technical aspects of the sport, but also the emotional ones. It required a certain sorta calmness of body and mind that I didn’t (and still don’t) possess. I hardly ever caught anything. But that last time I ever went fishing, I did.
Now I couldn’t tell you what kind of fish it was. Back when I was 12 I could probably name you every single dinosaur based solely off the footprint, but throw the most common-looking fish in front of me and ask me the species and I’d probably return with something snarky like "a brown one?" Anyway, I hooked it. I slowly reeled it in. I dragged its floppy body up on the dock. And then I stopped. Something was wrong. The hook had gone all the way through the fish’s cheek, out the side of its face, and into its eyeball. All this gunk was leaking out of the wound. I was horrified. I asked my old man what to do and he calmly said "Well you got to take it out, son." So I held the fish down. It struggled in my hands and under my boot. It fought me as much as a fish on land could. But the hook was in its eye good, snagged onto something deep inside its stupid fish head. I couldn’t get the damn thing out. My dad told me to keep trying, to pull harder, and when I started crying and told him I couldn’t, he got in there and ripped the hook out himself. It took the fish’s eye with it. By now the fish wasn’t struggling anymore. It would still flop a little, but it was weak. Pathetic. Sad. So I grabbed the one-eyed fish and tossed it back into the lake. It didn't swim away. It floated there dead on the surface.
I never went fishing again.
It’s apparent Cameron Pierce has a love for fish. More than a love. It’s like he finds his truth in the rivers and lakes of the Pacific coast. And if that's where he drew the inspiration for these tales, it makes me even question my own aversion to the sport. Not in practice, of course, but more in my understanding about what compels someone to go fishing in the first place. In OUR LOVE WILL GO THE WAY OF THE SALMON fishing is used as metaphor for pretty much everything. To varying degrees, fish are the only through line connecting these disparate tales. Narration, tone, characters, voice – EVERYTHING changes from story to story, but there is always some mention (big or small) of fish and fishing, both in the literal and metaphorical sense.
But that’s not to say the stories are ABOUT fishing exclusively. Or even at all. Some are, of course. Most aren’t. Instead, they’re more about loss. And love. And sadness. And glory. And nihilism. And hope. And every other emotion under the sun. They're more about how I felt when I looked at that dead fish on the last day I went fishing and less about the act of fishing itself. The longest story in here, THE SNAKE OF BORING, was mesmerizing. Truly. I couldn’t put it down if I tried.
I’m not gonna say it any clearer than this: I LOVED THIS BOOK!
Cameron Pierce writes in a way that really hits me in the marrow. He prose here is beautiful. It cuts like a surgeon’s scalpel. There is not a wasted word. I’ve read a few of Pierce's books before, but I haven't in a long while. The last book of his I read was SHARK HUNTING IN PARADISE GARDEN (which is ironic because I believe that was his first) and even then, that was about 4 years back. While those were classifiably more "bizarro" than this one - which certainly has its surreal moments, though they're understated in comparison to the characters and their beckoning catharses - I don’t recall the actual ART of his writing in those other books affecting me like it did with this one. Maybe my memory is faulty. Or maybe it’s that this particular collection really tapped into something that I can connect with. Relate to. And that the execution with which he paints these worlds feels, at least to me, like breathing clean air.
So although one might be inclined, I’m not going to say the word masterpiece right now because such notions should be saved for the posthumous (please don’t die, Cameron!) or at least for those who are retiring or ready to fade into obscurity (please don’t stop writing either!) but when that day comes when that final word is wrought from this writer’s fingers, there’s no way this book will not be lauded as one of his best.
Read it.
But I read The Destroyed Room by Pierce and absolutely loved it so I wanted to find more of his stuff similar in tone to that story. I think this collection was the perfect choice for me.
Weird and surreal but not overly so. Not much in the way of gore and sex. No splatterpunk here.
Just a lot of well written, powerful, emotional stories that sometimes interconnect slightly (like Alice Hoffman's Red Garden but so much better and less boring) or not so slightly and sometimes don't at all.
Bob had me cracking up, as did some other stuff for sure. I loved the choose your own adventure story near the end! But I like bleak things and man was that bleak.
I wish a few of the stories were a bit longer. Most of all though, I wish Cameron Pierce had a dozen more books like this I could read. I know I'll be buying more of his stuff, I Just don't know what yet. Maybe I'll give Die You Doughnut Bastards a chance.
Reviewed in the United States on November 2, 2018
But I read The Destroyed Room by Pierce and absolutely loved it so I wanted to find more of his stuff similar in tone to that story. I think this collection was the perfect choice for me.
Weird and surreal but not overly so. Not much in the way of gore and sex. No splatterpunk here.
Just a lot of well written, powerful, emotional stories that sometimes interconnect slightly (like Alice Hoffman's Red Garden but so much better and less boring) or not so slightly and sometimes don't at all.
Bob had me cracking up, as did some other stuff for sure. I loved the choose your own adventure story near the end! But I like bleak things and man was that bleak.
I wish a few of the stories were a bit longer. Most of all though, I wish Cameron Pierce had a dozen more books like this I could read. I know I'll be buying more of his stuff, I Just don't know what yet. Maybe I'll give Die You Doughnut Bastards a chance.
A light surrealism permeates this tale. Pierce’s obsession is intriguing, especially if you reread his earlier works like The Ass Goblins of Ashuwitz or “The Elf Slut Sisters.” His voice feels more restrained, mature, and secure in this story, although it does border on Norman Mclean territory. This promises to be an intriguing evolution for one of the first bizarro writers I read 4-5 years ago.
“Sway”
This is a very funny story. Told from the POV of a Vietnam vet with foul, politically incorrect terminology, what begins like a cliched war story quickly becomes something entirely different and unexpected. I won’t spoil exactly how it develops, but I will say that Pierce’s twisted sense of humor surfaces in abundance so its earnest yet gruff tone is quickly undermined by Pierce’s satirical touch.
“Drop the World”
I have mixed feelings about stories told in the 2nd person, but it works well here. It drops you into the center of the action of a female boxing match. As the dreams and hopes of our protagonist spiral downward on a trail of auto-fume vapors, we encounter a surrealistic vision of the victor of the earlier boxing match intermixed with angel imagery. This one manages a downbeat ending that is still hopeful, even if that hope is smeared in rubble, debris, and delusion as the mouth in a body bag speaks.
“Short of Lundy”
This one has the structure of an imaginary encyclopedia of fantastic fish coupled with a simple story of a man and his father’s stories of fishing simple trout during his boyhood. Pierce’s whimsical imagination remains in full-display despite what the aforementioned synopsis might conjure. I particularly enjoyed the description of the last sea-monster sized fish eating cows and cranes.
“Help Me”
I read this story a few weeks ago in the anthology entitled Letters to Lovecraft. In that anthology, Pierce provides an introduction and states his love for “The Shadow Over Innsmouth” which is unsurprising given the fishy nature of its imagery and anthropomorphic concluding twist. This story seemed more complex and creepy reading it the second time through. I actually went back and read the last few pages for a third time before writing this. It seemed, on my second reading, the narrator had actually become the human-like fish that demanded help; on the third read, I noticed that the other fish remained in the car yet is referred to as “the firstborn.” This is my favorite one so far, and I’m happy I reread it. Probably the most straightforward horror tale of the collection.
“The Bass Fisherman’s Wife”
Wow. These keep getting better. There was something very elegant about the style of this one–very restrained and almost musically composed, if that makes any sense. It has a prim and proper style, like something out of Nathaniel Hawthorne yet with a decidedly Kafka-esque development. To summarize the events would do it a disservice–this one must be unveiled like a series of masterful paintings.
“Three Fishermen”
This odd trypich of tales do not fit together in any discernible puzzle or mystery, but maybe I should return to them at a later date to unlock their secrets.
“Floodland”
I loved this one. It has a slight Lost Highway feel to it while also revisiting the themes and imagery of “Help Me.” The narrator’s scene with his wife from a different life was handled well. This kind of story–with multiple planes of shifting realities–must’ve been difficult to pull off with such clarity and deceptive simplicity.
“The Incoming Tide”
Cosmic forces in tents and from the night. Missing elk by inches on slick roads after midnight. Slippery fragments, breaking but forming an arrow of energy towards a still-beating heart.
“Trophies”
A short somber tale that feels a bit like Hemingway without the drinking and contains zero fantastic elements. Still moving in its own way, like a more optimistic piece by Carver but also without the drinking.
“Let Love In”
We encounter another talking fish, although this one is fueled by bruised hallucination. In times of desperation, love can you make you do anything–even it that means trading flesh for fish at a dirty counter to hide reptilian eyes beneath the eaves.
“Easiest Kites There Are To Fly”
The title of this tales serves as a gateway to madness. Sad events lead a man to be haunted by a devil fish. Tempestuous relations with his father and wife also lead to him drinking too much and too often. The tale feels more like a fable or fairy tale than some of the others due to the whimsical feat of a man actually becoming successful, for a short stretch, selling small easy kites to fly.
“The Snakes of Boring”
This story, the longest in the collection, moved at an exceptionally fast pace due to its humor and hardboiled plot. Despite some ludicrous developments along the way, the story remained compelling–sort of like an Ealing comedy (think Kind Hearts and Coronets and The Lavender Hill Mob (I’m thinking of the imbecilic plan at the catfish farm that, of course, goes horrendously wrong). I won’t spoil other twists in the goofy but macabre plot.
“California Oregon”
This is an intense, choose-your-adventure style piece. While the form is used ironically, the emotions are harrowing and unsentimental. A very beautiful story that I will never forget.
“Our Love Will Go the Way of Salmon”
Sort of epilogue to a genuinely original collection of short stories. I read this while staying at a house on Lake Rupanco in southern Chile. Though I don’t usually fish, I did a bit while staying here. I also looked for salmon in a nearby river. Maybe someday I will again.