46 photos of life at a Japanese internment camp, taken by Ansel Adams

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-20

While the US celebrates Victory Over Japan Day September 2, let's not forget the suffering of about 110,000 Japanese Americans who were forced to live in internment camps.

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Even at the time, this policy was opposed by many Americans, including renowned photographer Ansel Adams, who in the summer of 1943 made his first visit to Manzanar War Relocation Camp in the Sierra Nevada Mountains.

Invited by the warden, Adams sought to document the living conditions of the camp's inhabitants.

His photos were published in a book titled "Born Free and Equal: The Story of Loyal Japanese-Americans" in 1944, with an accompanying exhibition at the Museum of Modern Art.

In 1965, when he donated the images to the Library of Congress, Adams shared some thoughts on the project:

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"The purpose of my work was to show how these people, suffering under a great injustice, and loss of property, businesses and professions, had overcome the sense of defeat and dispair [sic] by building for themselves a vital community in an arid (but magnificent) environment," he said.

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At the outset of World War II, the American government feared subversive actions by Japanese-American citizens and began moving them to relocation camps.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-7-B

Source: National Park Service

Manzanar was one of 10 sites where about 110,000 Japanese Americans were forced to live.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-28

Source: National Park Service

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It was an abandoned agricultural settlement that was repurposed as a relocation center.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-25
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Adams' works showed the humanity of people living at the camps. Here, Ryie Yoshizawa (center) teaches a class on dressmaking.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-5-M-24

Here, from left to right, Louise Tami Nakamura holds the hand of Mrs. Naguchi with Joyce Yuki Nakamura.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-22
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In many instances, Adams took portraits of the people whose daily lives he photographed, like this one of the same little girl, Joyce Yuki Nakamura.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-19

This one is labeled only in the collection as "Mrs. Kay Kageyama."

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-51
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Here, a mechanic repairs a broken-down tractor while the driver looks on.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-5-M-18-Cx
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Here, Mori Nakashima scatters chicken feed in front of a chicken coop.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-6-M-65

Adams also captured the recreational time at the camp, like in this image of Dennis Shimizu lying on his bed reading.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-58
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This picture of women playing cards shows the different backgrounds and roles of the camp's inhabitants.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-5-M-5-Bx
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It's remarkable to think that people could serve in the military and still be interned.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-T01-4-M-35
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Adams' images capture the social order to life at the camp. Here, Manzanar resident Roy Takeno (right) sits next to the mayor.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-5-M-15
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Residents could in some cases be let off the camp to go find work.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-2
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Sam Bozono was a policeman. He was reportedly housed separately from the camp's other inhabitants.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-63
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Manzanar even had its own newspaper. Here, editor Roy Takeno reads outside his office.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A35-4-M-4
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They lived at the camp from 1942 through 1945, when the war ended and they were allowed to return home.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-23-B
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But the people of Manzanar, like painter C.T. Hibino, likely never forgot the life they lived there.

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-40-B
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The inscription reads "Monument for the Pacification of Spirits."

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Library of Congress, Prints & Photographs Division, Ansel Adams, photographer, LC-A351-3-M-13

Now see the 1940s in a whole other light.

attached imageAmazing Color Photos of America Preparing for World War II »

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